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background is a sheet of music with a purple overlay. Photo of Stratton on the left and a photo of Richie on the right. Below that in bold, white text is "Entering Music", with "Fridays at 10 am" and a white BTPM Classical logo below that

The disciplines of Archaeology, Paleontology, and Anthropology missed music almost altogether. And they haven’t quite caught up. Their collective position about music was that it was a form of passing the time, an aftereffect, a collateral discovery that came along with gathering around the all-important fire, a byproduct of sharing a meal, or a subsidiary factor in the cohesion of ever larger groups. What more could it be? In this episode of Entering Music, we posit the notion that the invention of music began humanity’s cultural evolution.

Entering Music 2026
Latest Episodes
  • Sometimes you meet someone who despite age and education just seems in sync with your wilder choices and enthusiasms. That’s what happened when Stratton met Richie for the very first time. The duo take time to remember their first encounter.
  • When Shostakovich found himself in besieged Leningrad during WW II, he started to write his 7th Symphony. He wasn’t terrified because he had already written his 5th symphony with Stalin’s gun pointed at his head.
  • The truth is that the number of people who regularly listen to classical music is very small. If we could get people to listen, they would make a place for classical music in their lives.
  • Touring could be dangerous, as both Louis Moreau Gottschalk and Enrique Granados found out when they were forced to make untimely departures from the United States.
  • There came a day not too long ago when Richie asked Stratton if he would listen to one of the greatest Rock albums ever recorded. How could Stratton refuse? The album turned out to be “Loveless” by the band, My Bloody Valentine. After Stratton had listened to “Loveless” Richie asked Stratton what he thought. Stratton replied, “I now know what it was like for listeners who were used to hearing Haydn’s Symphonies when they first heard Beethoven’s Third Symphony, the 'Eroica'. Nothing would ever sound the same again.”
  • Stratton didn’t think he had heard Richie right. Richie had dropped the name of a long-forgotten pianist who was once the best-known and highest-paid pianist in the United States. Radio made him a star. His name was Oscar Levant. So, Stratton said, let’s talk about him.
  • Stratton has often been asked if he and Richie ever disagree. His answer has been that, in musical matters, he can’t think of any disagreement, putting the emphasis on the adjective “musical”. Well, that was true enough until they decided to talk about opera by discussing the two greatest opera composers of the 19th century, Giuseppe Verdi and Richard Wagner.
  • Composers are rarely happy people. How do we know this? Because a few composers have told us this in their memoirs. Two of the best are the Memoirs of Hector Berlioz and X-Ray.
  • Stratton often tells Richie how lucky they are because they have available to their ears over one thousand years of music. That’s why Stratton encourages Richie to introduce him to the popular music he pointedly refused to take notice of.
  • Richie can’t really believe that Stratton has spent so much of his time listening to classical music that he has no notion of who Frank Zappa is or who Van Dyke Parks might be. But Richie knows that Stratton, who has a soft spot for Olivier Messiaen and Michael Tippett, is just the kind of guy who’d like the wild music-making of Zappa and Parks.