© 2026 Western New York Public Broadcasting Association

140 Lower Terrace St.
Buffalo, NY 14202

Toronto Address:
130 Queens Quay E.
Suite 903
Toronto, ON M5A 0P6


Mailing Address:
Horizons Plaza P.O. Box 1263
Buffalo, NY 14240-1263

Buffalo Toronto Public Media | Phone 716-845-7000
BTPM NPR Newsroom | Phone: 716-845-7040
Differing shades of blue wavering throughout the image
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Genius Destroyed

background is a sheet of music with a purple overlay. Photo of Stratton on the left and a photo of Richie on the right. Below that in bold, white text is "Entering Music", with "Fridays at 10 am" and a white BTPM Classical logo below that

At the turn of the 20th century, celebrity was invented as a substitute for genius, while the steady rise of the middle class meant the beginning of mass marketing and the establishment of “popular” music. Who were the geniuses, the men or women, who displayed the talent, the musical intelligence, and the vision necessary to become leading figures in the creation of North American Music? And how did they fare? To begin to answer those questions, Stratton and Richie examine the careers of two pianist- composers, African- American Scott Joplin and French-Canadian André Mathieu.

Entering Music 2026
Latest Episodes
  • Stratton has often been asked if he and Richie ever disagree. His answer has been that, in musical matters, he can’t think of any disagreement, putting the emphasis on the adjective “musical”. Well, that was true enough until they decided to talk about opera by discussing the two greatest opera composers of the 19th century, Giuseppe Verdi and Richard Wagner.
  • Composers are rarely happy people. How do we know this? Because a few composers have told us this in their memoirs. Two of the best are the Memoirs of Hector Berlioz and X-Ray.
  • Stratton often tells Richie how lucky they are because they have available to their ears over one thousand years of music. That’s why Stratton encourages Richie to introduce him to the popular music he pointedly refused to take notice of.
  • Richie can’t really believe that Stratton has spent so much of his time listening to classical music that he has no notion of who Frank Zappa is or who Van Dyke Parks might be. But Richie knows that Stratton, who has a soft spot for Olivier Messiaen and Michael Tippett, is just the kind of guy who’d like the wild music-making of Zappa and Parks.
  • When a listener begins to concentrate on a single composer’s works, they often listen for the piece in which the composer has found his or her own voice, a voice that from then on will mark the music they write as their own.
  • The tale of the careers of two of the most famous women in the 19thcentury is now portrayed as a narrative of suppression and even oppression.
  • Richie invites Stratton to listen to something he has actively avoided for 50 years – PUNK. There’s no telling how he’ll react…
  • Stratton and Richie become aware that even sweet, joyful music-making can hide a suspicious, even outraged, personality.
  • The Oxford Dictionary of Music claims that the term "virtuoso " is from Italian and means “exceptional performer.” By the late 18th century, it changed.
  • Stratton asked Richie if he was ready to talk about the most vilified musician living in the 20thcentury. Richie asked Stratton if he meant Michael Jackson. “No,” Stratton replied.