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Classical Mysteries: The Curse of the Ninth Symphony in Four Movements

Have you ever seen the classic films The Curse of Frankenstein starring Christopher Lee, and The Curse of the Black Pearl starring Johnny Depp? Great titles – the kind that promise mystery, danger, and a good story. Well, I think it’s time for another one. 

The Curse of the Ninth Symphony in Four Movements.

Picture it as an anthology film. Each chapter follows a legendary composer whose Ninth Symphony became the final chapter of their symphonic journey. Coincidence? Almost certainly. Creepy? Absolutely.

First Movement: Beethoven. The story begins with Ludwig van Beethoven. He completed his monumental Ninth Symphony in 1824 and left sketches for a Tenth before dying in 1827. The world was left wondering what musical masterpiece might have come next.

Second Movement: Schubert & Bruckner. Franz Schubert completed his Ninth Symphony and left behind fragments of a tenth before dying at just thirty-one in 1828. Anton Bruckner also left his Tenth Symphony unfinished when he died in 1896. The pattern was becoming harder to ignore.

Third Movement: The Composers Who Stopped at Nine: Then came composers like Antonín Dvořák, Ralph Vaughan Williams, and Malcolm Arnold, who all ended their symphonic journeys after nine. Were they simply finished writing symphonies, or did they decide not to tempt fate?

Fourth Movement: Gustav Mahler – The Finale. Then comes Gustav Mahler. By his time, musicians were already whispering about the “curse.” Hoping to dodge it, Mahler wrote Das Lied von der Erde (The Song of the Earth) – a work many consider symphonic in scale but deliberately left unnumbered. He then completed an official Ninth Symphony and began work on a Tenth but died before he could finish it.

If you’re making a thriller, that’s the moment the audience stops laughing. My filmmaker friends, is there a movie here? The Curse of the Ninth Symphony in Four Movements practically writes itself: seven composers, centuries of music, and one legendary curse.

Who would you cast as Beethoven, Schubert, Bruckner, or Mahler? And what twist ending would tie all the stories together?

I’d love to hear your ideas. Please comment below. You can also write to me at mwimmer@btpm.org.

Marty Wimmer has been with BTPM Classical since 1995. He is our Midday Host and Coordinator of BTPM Classical Live on Stage! A retired music teacher with 34 years of experience in the band room, chorus room, and general music classroom, Marty also taught at the college level, worked as a church musician, and directed high school musicals.