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Danny Elfman Crosses Over

Richie has often told us that Danny Elfman’s score to “Batman” was what inspired him to pursue music as his vocation. Stratton on the other hand discovered Danny Elfman not just as another very good film composer, but as a composer of what Stratton would call concert pieces in the best tradition of classical music. After reviewing Elfman’s unlikely journey as a music maker, Richie and Stratton discuss Stratton’s belief that Elfman has become a composer who is forging the future of classical music.

Entering Music 2026
Stratton Rawson grew up in the Hudson Valley of New York State midway between the Hudson River and the Appalachian Trail in the shadow of some the oldest mountains on earth.
Born and raised in Buffalo, New York, Richie English has worked extensively as a pianist, teacher, and composer since childhood. He began studying piano at ten years old with Frieda Manes, and within a year was the youngest piano teacher registered with Denton, Cottier & Daniels in state history.
Latest Episodes
  • Stratton and Richie become aware that even sweet, joyful music-making can hide a suspicious, even outraged, personality.
  • The Oxford Dictionary of Music claims that the term "virtuoso " is from Italian and means “exceptional performer.” By the late 18th century, it changed.
  • At the turn of the 20th century, celebrity was invented as a substitute for genius, while the steady rise of the middle class meant the beginning of mass marketing and the establishment of “popular” music.
  • Stratton asked Richie if he was ready to talk about the most vilified musician living in the 20thcentury. Richie asked Stratton if he meant Michael Jackson. “No,” Stratton replied.
  • Stratton and Richie don’t generally talk about politics, but when Richie said he wanted to talk about “progressives,” Stratton, the old history major, got excited.
  • After talking about Shostakovich, who often lived and worked as though there was a gun to his head, Richie and I wanted to talk about another composer who went silent for a long time.
  • While watching an old film, Roberta, a 1934 musical comedy starring Irene Dunne and Joel McCrea with music by Jerome Kern, Stratton heard a great tune called “I Won’t Dance,” with lyrics by Dorothy Fields.
  • After a lifetime of listening to recordings of great pieces of music that have been made note-perfect, when Stratton is seated at a concert, and he hears a mistake, it really bothers him.
  • Stratton finally caught the movie Maestro, about the life of Leonard Bernstein. He was appalled. The film was about Bernstein’s marriage and his efforts to be a both a loving husband and a doting father while having love affairs with other men. Who watching that film, Stratton wondered, would ever learn that Leonard Bernstein was America’s pre-eminent musical genius? He had to check in with Richie about this.
  • Richie has a problem; he’s got a tune stuck in his head. And it’s not his tune. Can Stratton help?