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The artist and DJ performs a set that hits like a series of quietly arresting lullabies in a Nashville warehouse with a full band, featuring Jordan Rakei and Hundred Waters' Nicole Miglis.

Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.

Chicago is one of the world's great music cities, but it's still surprising that a Latin Grammy-nominated Mexican folk group calls it home. Sones de Mexico is a group of musicians, all immigrants now living in Chicago, who play an enormous variety of Mexican folk styles.

On the band's new album, old and new technologies come together in a sly but seemingly sincere way, with throwback results that keep the prospect of a party in mind.

On this week's All Songs Considered we share surprising solo music from Yeah Yeah Yeahs singer Karen O, the warped garage rock of Meatbodies and several new discoveries including Sweden's Amason.

The band's fourth album, its most ominous and sonically dramatic, is also a work of brilliant storytelling about a man losing his memory.

There's a because-we-can quality to the band's overstuffed, 82-minute second album, as Foxygen delights in letting its loosest threads unravel.

The rock group played the first of two tribute concerts for their late drummer Taylor Hawkins, who died in March at the age of 50.

A successful roots-rock musician, Butler has come a long way since his days as a busker on the streets of western Australia. He now fronts the award-winning, multiplatinum John Butler Trio. April Uprising is the band's first record in three years.

The Metric singer returns with her first solo album in a decade — and another set of reflections too raw for the band that made her famous.