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It's been hard to sell the sacrificial animal in India for the Eid al-Adha holiday amid COVID-19. Goat dealers are trying everything from a pageant hosted by a TikTok star to WhatsApp orders.

NPR's Mary Louise Kelly talks with Sheryl Crow about her latest album, Threads, and why this will probably be her last.

A cultural chameleon with a handful of viral hits, the rising rapper's Come Home The Kids Miss You misses the mark.

Shereese Hickson's doctor wanted her to try a drug called Ocrevus for her multiple sclerosis. Trained as a medical billing coder, Hickson was shocked by the six-figure bill and the share she owed.

Kurt Wagner's Nashville collective has always been an expression of absolute possibility. The Bible, his best album in a decade, points that instinct at life's most inescapable truth.

Holed up on opposite coasts, Roc Marciano and the Alchemist, two key figures in underground rap, have been gradually moving toward a shared sonic goal, reaching an apex with their new album.

Scott Franzke has been calling MLB games in Philadelphia since 2006. He sizes up the teams headed into the World Series and reflects on upcoming changes designed to put more action in the game.

Director Barry Jenkins is best known for films like Moonlight and If Beale Street Could Talk. On NPR's Wild Card, he opens up about where he felt the safest as a kid.

I’m not much for making resolutions on Jan. 1. It feels like a setup for failure. Of course, it’s great to set intentions to try to be a better you. But the old “I’ll lose ten pounds by February,” or “I won’t eat any sugar or drink any alcohol until April” just doesn’t work for me.

With more than 20 million streaming songs at our fingertips, is the idea of owning music becoming a thing of the past? Or are we redefining the connection between songs and listeners?