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After years spent playing with a backing band or collaborating with other artists, Harper returns with a resolutely solo recording called Give Till It's Gone.

Everything in this Tiny Desk performance is unapologetically New Orleans.

This week's essential mix from All Songs Considered includes an early contender for one of Bob's favorite albums of 2014 (yes, next year), a song that Robin thinks could change your life, and more.

Last fall, Oberst released a raw solo album called Ruminations. Now, its songs are more fleshed out, completed with a full band and released as a new work, complete with seven new tracks.

Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.

David Letterman made them famous, but there's more to Future Islands than animated GIFs of Samuel Herring's dance moves. The band's new album, Singles, is full of extremely catchy pop songs.

Conor Oberst, the singer, songwriter and leader of the trailblazing band Bright Eyes, has a new solo album. Critic Tom Moon thinks Upside Down Mountain is his most intimate and engaging work in years.

The Canadian pop band's second album is an impeccable distillation of pop music in 2015: big and bright and cheerful, and expanded rather than confined by everything that came before it.

The band's 10th album sounds at home among its many predecessors, satisfyingly reconciled between Matt Pond PA's restless drive and its rustic roots.

The latest album by the Philadelphia-based indie rockers is their best yet.