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  • A theatrical, 10-minute track that respects the roots of one of heavy metal's most glorious bands, but also looks forward with wonder.
  • The pianist's first visit to France and the 3,000-seat Salle Pleyel concert hall ended in disaster. Fifteen years later, after he became an international star, Monk returned to the same stage with his own band, planning a surprise.
  • Since 1979, the tenor saxophonist has hosted a weekly jam session at a colorful South Side Chicago bar. Rarely is the house group captured on his recordings, but Vonski Speaks features the brawny, bluesy jazzman — and his band — in Berlin.
  • With a name like a hardware store, Mumford & Sons is a British folk-rock band with a huge stateside following. For the group, testing out songs on the road is part of the creative process.
  • Los Lobos has been active since the 1970s, and during that time the band has done everything from opening for Bob Dylan, U2 and the Grateful Dead, to recording a tribute album to Walt Disney soundtracks. Rock critic Ken Tucker says Los Lobos' new album, Tin Can Trust, stands with the group's best work.
  • As a composer, Coleman has been heavily influenced by James Brown's funk. You wouldn't mistake Coleman's band Five Elements for J.B.'s, but like the Godfather of Soul, he goes in for fast, jittery beats on Harvesting Semblances and Affinities.
  • Commentator Jason Berry attended two funerals in the past week and describes them and the mood in New Orleans.
  • What better way to spend March 11 than with 311 bringing love and nostalgia to the Tiny Desk.
  • Together, the women of Lula Wiles are giving folk music a new reputation with band's sophomore album, What Will We Do.
  • Bob Weir, who helped build the Grateful Dead from the Haight-Ashbury scene into a cultural institution, has died at 78.
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