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  • NPR's Ailsa Chang speaks with Andrea Bernstein and Ilya Marritz about Will Be Wild, their new podcast diving deep into how the Jan. 6 insurrection happened.
  • Earlier this week, we reported on a story that suggested Led Zeppelin had been offered a lot of money to reunite, but it appears there have been no offers for a band reunion.
  • Few bands re-form with their power as intact as Sleater-Kinney have; fewer still brag about their power, and make the claim something more than a brag.
  • The Mountain Goats' early albums were recorded on a boombox and released on cassette tapes. While their production values have changed, their evocative, pocket-narrative lyrics are the same. Members of the band join Linda Wertheimer for an interview and performance.
  • The best little bar-band in Texas is back with more ballads of heartache and anthems for getting over it. The Old 97's have just released Blame It On Gravity. Front-man Rhett Miller joins Fresh Air to talk about the recording and to perform some new songs.
  • Robert Crumb, the iconic cartoonist and illustrator, lives in a small French village and does not often speak to the media. In a conversation with Frank Browning, he talks about his love of music from bygone days and his band, the Cheap Suit Serenaders.
  • In this session, Pavement percussionist and multi-instrumentalist Bob Nastanovich talks about the band's enduring legacy and discovery by younger fans.
  • The Glasgow synth-pop band explores candid emotional territory on its latest single, from the upcoming sophomore full-length Every Open Eye.
  • Sal Geloso of the New Orleans band Sally Baby's Silver Dollars talks about his entry into NPR's Tiny Desk Contest, "I Got No More Tears Left To Cry."
  • A civil lawsuit that shifted into U.S. district court in Idaho last week alleges that the United Potato Growers of America has become a veritable OPEC of spuds. The group is accused of using high-tech, strong-arm tactics to inflate potato prices.
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