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  • The Toronto International Film Festival, the largest film festival in North America, is in full swing. Movie critic Bob Mondello and Monkey See blogger Linda Holmes talk about some of the highlights so far.
  • Appalachia boasts a thriving Latino population, and the University of Kentucky is documenting their often untold stories. Pedro Santiago Martinez and Ann Kingsolver discuss their project.
  • Williams is commonly considered the most important country music songwriter. Critic Ken Tucker has a review of a newly released CD of radio broadcasts and DVD of TV performances.
  • A group of Jewish and Muslim musicians who played together in the bars and cafes of Algiers in the 1940s and '50s thought they'd never see each other again. But after a chance encounter one of them had with a tourist in an Algerian bazaar, their lives changed forever.
  • The singer-songwriter earned a name for himself while playing with Drive-By Truckers and The 400 Unit, but on this album — written after he got sober — Isbell finds a new level of emotional honesty. Here, he talks with Terry Gross about his life and plays songs from Southeastern.
  • On his last day as the host of weekends on All Things Considered before moving to NPR's TED Radio Hour, Guy Raz looks back at some of his memorable music interviews from the past 3 1/2 years.
  • The singer-songwriter earned a name for himself while playing with Drive-By Truckers and The 400 Unit, but on his new album — written after he got sober — Isbell finds a new level of emotional honesty. Here, he talks with Terry Gross about his life and plays songs from Southeastern.
  • NPR's Melissa Block interviews Buzz Bissinger about his profile of Caitlyn Jenner in Vanity Fair and her gender transition. She is formerly known as Bruce, an Olympic gold medalist in the decathlon.
  • "He had an underground kind of appeal that built on itself," says author Mark Ribowsky, whose book Dreams to Remember traces Redding's unlikely pivot into national stardom.
  • The new show's co-creator says it became a writers' room joke on Breaking Bad that if something didn't fit it would go on the Saul Goodman show, or what is now AMC's Better Call Saul.
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