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Stapleton presents himself as a true Southern character, a family man who clings to his vices and a searcher whose dreams of home don't prevent him from wanting to roam.

The rock legend's new album with Queens Of The Stone Age's Josh Homme is all sharp angles, hard muscles and decadent ecstasy.

A debut solo record, born of both heartache and imagination, is saturated with sounds of '60s and '70s Nashville.

One of indie rock's most creative thinkers confronts the marginal world where rural red meets urban blue.

Vince Cantu and Joe Galloway first met in third grade. They lost track of each other in 1959, but met in an extraordinary scene in Vietnam — and there's a famous picture to prove it.

On Valse Sinistre, Drummond's ride-cymbal beat is lively, varied and full of passing cross-rhythms — the sound of a musician fully engaged and in the habit of attentive listening.

Santa Fe Indian Market marked its 100th anniversary. It began as a way of preserving what white curators thought of as traditional, but artists say the market today is a place of innovation.

One hundred years ago this past Friday, a bandleader named Polk Miller put together an unusual recording session. Miller — who was white — recorded seven songs with a black vocal quartet. But the man who led these sessions was no civil rights activist.

Every holiday season brings a new batch of seasonal pop music, some of it from unlikely or obscure sources. Rock critic Ken Tucker has listened to most of the new holiday collections released this year, and has chosen three albums that ought to make your season a bit more festive.

Jim Sullivan was always on the edge of success: He hung out with celebrities, but he wasn't famous himself. In 1975, he left for Nashville looking to further his career. But he never made it to Tennessee; Sullivan's car was found abandoned in the desert, and he was never seen again.