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  • A new effort led by Hollywood composer John Frizzell seeks to connect people with autism to each other through bluegrass.
  • James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.
  • On The Late Show, a set of previously unheard solo music from 1979, the jazz pianist employs techniques like suspenseful dropouts. He had a rare ability to sound archaic — and way ahead of his time.
  • A musical featuring songs by the British rock band Queen, about a post-rock 'n' roll world where half-remembered hits have a mythical force, is beginning its first North American tour. Queen guitarist Brian May says the show's anti-corporate message brings the power of rock back to the people.
  • After years spent working as a Nashville sideman, the 33-year-old guitarist is making his name as an instrumental soloist. While his songs lack lyrics, they're not short on backstory.
  • In the early 1960s, Joe Barry combined Cajun and country music into a whole new sound. In honor of a new anthology of Barry's music titled A Fool to Care, critic Ed Ward tells the forgotten musician's story.
  • A new documentary on PBS about the making of the Beatles' 1967 film Magical Mystery Tour features outtakes from the original and new interviews with Paul McCartney and Ringo Starr. TV critic David Bianculli calls the film "wonderfully thorough."
  • When record producer and songwriter George "Shadow" Morton died on Valentine's Day this year, he left behind a legacy as murky as his nickname, which he got from disappearing on long benders. A new compilation collects Morton's hits for The Shangri-Las, Iron Butterfly and Janis Ian.
  • White House Counsel Don McGahn has historical ties to President Trump and a combative record at the Federal Election Commission. His job is to interpret ethics laws and apply them to the White House.
  • The New-Orleans-born trumpeter salutes the earliest jazz recordings on his new album. Critic Kevin Whitehead says Ruler Rebel showcases Adjuah's "commanding personal voice and ... sense of direction."
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